Pokemon #1: Truck

The truck found next to the S.S. Anne in Pokemon Red/Blue/Yellow/Green has, over the years, gained infamy due to the elusiveness of the Pokemon Mew. I'd like to clear something up about it: in no versions of the game (to my knowledge), including the beta I had the extreme privilege to play, was Mew in any way involved with this truck. However, the truck did serve another purpose in one of the betas of Pokemon Green I got to play.
Pokemon Green - Pocket Monsters Green, as it were- had a beta that fascinated me. The reason I'm formatting my Pokemon posts in a numerical fashion is simply because of the intricacy of the details of these beta features is something I have to go into such detail on that it wouldn't make sense to post it all in one post. Anyways, the beta really explains a lot of things that are elusive and mysterious to people, and this truck is one of them.
In the beta, when you beat the Elite Four (which was actually six battles, but I'll get into that later) you of course had access to Cerulean Cave. The cave's layout was completely different, but not in a noteworthy way. Something that would surprise most, though, is that the levels of the wild Pokemon you encountered were far lower. The lower-leveled Pokemon in the cave were in the high thirties, starting out at about thirty-eight. The highest one, I believe, was about fifty-five. At the time this was surprising to me, but it would soon make sense enough.
I caught Mewtwo, who was actually only level 65, and left the cave. Out of curiosity, fueled by prior experiences with this beta, I decided to head to the truck by S.S. Anne. When I reached it, with Mewtwo in my party, I decided to check it, expecting nothing to occur. Then, the unique message of "!?!" appeared, making me question whether the screen before me had been somehow Satanically interfered with to cause me to question reality, which could lead to me directly going against God. But, no, what I was seeing was truly there. I pressed A, making the text box go away, and a sort of vibrating sound played as the screen had a shaking effect. The truck was moving down, and under it was a staircase.
This scene ended, and a text box appeared, saying "Mewtwo's PSYCHIC moved the truck!" I was sweating, shaking, and my bloodshot eyes were taking in the formations of the bright little screen before me in that dark office room. I honestly got emotional due to this. A dream from my childhood, fulfilled. Those incredible bedroom days of playing Pokemon were all worth it for this moment. Red, standing before this downward staircase that clearly lead to things unseen by anyone but me up to this point.
I approached the staircase and went down. The usual transition played, and, when it was over, I saw Red standing there in a cave. Now, this cave was unique in that its tiles had this animation to them that made it appear as if they were glowing or had light reflecting off of them in different directions or something of that nature. It's really hard to describe, and I really wish I could better put into words what I was seeing. The cave was laid out like the rest of the caves in the game; it had sections where you had to use surf, sections that required cut (which was a bit odd), sections where you had to use strength, and, levels where you had to use flash.
I believe the point of this cave was to reward the player for having the commitment to go to the truck after doing a task like capturing Mewtwo. That shows diligence, right there, and I think that's a value Game Freak wanted to emphasize to children playing the game. The cave was a reward in that it contained many incredibly useful items, like Revives and Max Revives in great abundance, many full restores, and even two extra Master Balls! The only catch to this cave was that it was a bit hard to navigate with all of the HMs you had to use (I remember one particularly brutal strength puzzle) and the Pokemon you encountered there were a huge obstacle. If you were lucky, you'd encounter mostly lower-leveled Pokemon, which in this case were already at level seventy! It was completely brutal, as, by floor 5 (the final floor), I was mostly encountering Pokemon that were in the high eighties.
The end of the cave had an interesting treat that I had wished they would have kept in the final game. It was the fossil that you DIDN'T pick up early on in the game, making it possible to have both Kabutops and Omastar. I think this area was actually removed mostly because it COULD make a player a bit too powerful and it would have probably lead to less utilization of the trading system, but, really, who knows!

Donkey Kong 99

In 1994, after the critical success of Rare's Donkey Kong Country, Sega gained interest in the Donkey Kong IP and formed a small team of around 6-8 people for the purpose of working on a demonstration game to present to Rare. Sega actually did this multiple times in the early 90's, but that's another story. The product of this team was a game they called Donkey Kong 99. It used sprites ripped from Donkey Kong Country, but had original level design and had gameplay quite different (but definitely not a step up from) Donkey Kong Country. Some important things to note were a lack of checkpoints, one-hit-deaths (always) and you could never have Ditty as a follower or play as him. The game was shown to some higher-ups at rare, showing what Sega could do with the IP in a short amount of time (which makes me wonder what this would have been had they obtained the rights), and they also offered quite a great sum of money for the rights to Donkey Kong. Unfortunately for Sega, rare declined, and this game was to be in the vaults rotting eternally.

The boss of world 1.

The first world was entirely set on dock-like structures. It had standard enemies of the DK series, like the generic animals (Gnawties, Neckies, Slippas etc.) and the Kremlings (Kritters, Klumps etc.) There were standard game obstacles, like death pits and tricky platforms. Something strange about this game was that every enemy, upon being killed, had one of two horrible screeches. One of them sounded like a slowed down record scratch of sorts, and the other was a more generic "Eee!" screech. When I first played it definitely startled me, and prompted me to turn down my volume. Not much was to be missed anyways, the music was very bland and generic sounding. The boss of the world was a large Zinger (the bee enemies from Donkey Kong Country), and it was very standard. He would swoop down to hit you, and you had to throw barrels at him to damage him. Something strange that applied to every boss in the game was that they have these writhing death animations. As Donkey Kong stands in front of them cheering, you see them struggling on the ground until the screen instantly cuts to the next level.
World 2 was much the same, and, really, all of the worlds were very similar. World 2 took place in what appeared to be some
sort of old factory or maybe a castle, with wooden structures inside it. It introduced a few new enemies, like little monkeys that throw nuts or rocks at you (I couldn't really tell), and had new obstacles, such as some trap doors that you had to jump over. The trap doors were interesting because their functionality wasn't to simply kill you, you actually fell through them, and if one was above you and you were on the ground you could jump through it. This lead to some clever level design that I think demonstrated the skill of the designers working on this project. The boss of this world was a

large Gnawty, and, similarly to the first world, it was quite a standard fight. All he would do is jump in a large arc towards you, then sit on the ground for a moment. Your period to attack him was of course when he was on the ground after jumping. The bosses in this game really seemed to drag on, and most of their challenge was in tiring you so you would mess up. And, of course, this boss had a writhing death animation too.
World 3 was a bit of a jarring change of scenery. It appeared to be a factory, highly advanced compared to the previous two worlds. Something to take note of is that none of the worlds so far have been natural; everything was man-made. This applies to the next world too, but the next world has a bit of a twist on this. This world is much of the same: platforming, tricky enemy placements, frustrating segments that take a lot of time, etc, etc. I was getting pretty tired of the game at some points, making the repetitions of playing the same level over and over again even worse. A lot of coffee aided me through the night I spent playing this game in that dingy little office. I remember my eyes starting to hurt quite a bit, staring
at that little screen. I'm getting sidetracked, but I'll keep that in to hold integrity. Anyways, the boss of this world was an apparently massive Necky, seeing as only its head poked in through the side of the screen and that alone was larger than Donkey Kong. It would pop out randomly from the left or right of the screen, and throw a giant coconut at you. After (or before, really) jumping over that obstacle, if he was in reach, you would jump on the giant Necky's head to do damage to him. This boss was honestly annoying, because the collision detection of the platforms as off in some spots. I still must give this game the highest praise even with the negative things I have said about it though, for reasons I'll reveal later relating to its thematic qualities.
World 4 is interesting in scenery. It appears to take inspiration from
Mayan architecture, and, with that, makes it different from the previous two worlds. The previous worlds seemed to show a progress in time, the first one being some simple docks, the second being a factory or castle with some complexity to it, and the third one being a modern-looking factory. This world, though, is ancient looking, but still man-made. The enemies and conventions of this world are the same as all of the others, but the scenery really pulled me in. At the time that I was playing this world, I was getting really tired, and the immersive scenery made me imagine I was in the game at times when I would start nodding off. I know I have shown some signs of delirium in my descriptions of my time playing this game, but I feel the need to stress that I am perfectly sound in mentality. I was just playing this game in an exhausted state that I don't feel the need to explain as I shouldn't have to share my personal information. Anyways, the boss of this world was an exact repeat of the boss from World 2. It was kind of disappointing after having such captivating design and imagery, but oh well.
World 5 really brought it home with what I had been suspecting as the theme of this game. This world was even more of a change than World 4 had been from the rest of the worlds. This was the only world that was fully natural, taking place in a snowy, semi-woodland area. The previous world was looking back in the past at simpler times, where man's deviation from the world was far less, but this world looks back at a time before man had walked the Earth. Compared to every other world, this world had an appearance that was like the Garden of Eden compared to the world after Eve had ate the forbidden fruit. This world was, of course, challenging, seeing as it was actually the final one (further adding to the theme that I will explain soon), but visually it was completely serene
compared to the other worlds. This world, gameplay-wise, had flaws, though. There were segments with barrels that required some odd platform manipulation, and a lot of collision problems with the platforms themselves. Other than that, though, as you would expect this world was more of the same as seen in previous world. I feel that this project was made more for artistic purposes than the purpose of simple, fun entertainment. That makes this quite an ambitious project, and it's understandable that Rare rejected the offer Sega made. The final boss was K. Rool, as you would expect, although him being in a snowy area like this makes no sense to me. I suppose it's because based on the original game, Donkey Kong Country, he represents a symbol of finality. When you beat him, this is the ending you get:

 Yes, that screen with some odd, off key music playing is all you get as an ending. This, on the surface level, appears to be a very disappointing ending, but in my hours of theorizing and study, I realized it's completely genius.
This entire game is about man bringing destruction to this world due to its own careless progress. Donkey Kong symbolizes man, perhaps reenacting some of the things it did by killing off many animals only harmful to its own goal, and perhaps looking back through its own history. The game starts on some simple docks, which I believe are supposed to show the developments of early humanity. They really do no harm to the surrounding natural world, the most harm being done is to some trees (which would regrow in due time) and some animals. Then, the second world, which could be a couple thousand years later, shows some sort of factory/castle. This shows a great progression in man's creations, and, also shows massive deviation from Earth's original form. There was also a far greater number of animals killed in this world than the first. Then, comes World 3. This world was a completely industrial factory, showing the ultimate deviation from Earth and nature. Man's progress went on too far, carelessly ignoring the needs of the animals and nature. Then, after this world, what occurs could be called a flashback. World 4. This world is depicted as some sort of temple, constructed with beautiful architecture in relative harmony with nature. This shows man's progress used in a way that isn't harmful, and in a way that has perfect balance. This reminds man (man being Donkey Kong) that things could have continued in this path, and perhaps World 3 would have looked a lot different if so was done. But it was too late. World 5 is sort of a snap to the present, contrary to what I stated about it being a time before man. Its snowiness is meant to represent the polar ice caps, and, this world being the last, how man's carelessness combined with their properties and existence will lead to man's own downfall, along with most of the rest of nature. Donkey Kong (man) killing K. Rool signifies the complete downfall. Then, the ending screen.
The ending screen shows Diddy Kong, who I will say symbolizes man's future, or younger generations, looking back at Donkey Kong, who is man's past, what brought man to this point. Their surroundings symbolize what Earth was to become: practically nothing. They are standing in a barren void, the ground being a bland shade of tan. This is the world after Man goes too far and ends it all. And the younger generations are suffering due to this, looking back on their past with sorrow.

I can see how Rare rejected Sega's offer easily, but in a way it saddens me due to how fascinating the ideas of this small team were.

Banjo Threeie (Cancelled Game)

Banjo Threeie is a game with quite a lot of mystique. Very little is known about it - that is, until now. This is another game I have been graciously allowed to play, and let me tell you, the experience felt like I imagine the Israelites felt when they were graciously provided with Manna and Quail. The game was completely fascinating. Contrary to popular belief, it was not meant for the Game Cube or Nintendo 64. It was in fact going to be a Gameboy Advance game, and quite an ambitious one at that. It is likely that aspects of the engine used for this game were used for the later released Grunty's Revenge.

The image of Grunty in Hell. Heed the
good Lord's word.

Getting to details of the actual game, I must say, it seems the developers decided to go with the commercially profitable route of appealing to a more mature audience. The game would've definitely been rated at least T. The first sign of this was in the introduction. The introduction was composed of various images, and, I'd assume that they were going to have text later, but in the game's state as I played it, there was absolutely no text in the introduction. The first image that appeared is what I assume to be Grunty in Hell, after she had died in Banjo Tooie. After this image, it cut to Banjo sitting in the recliner in his house. He was asleep, and there was a dream cloud over his head showing what looked like a really low-resolution image from Banjo Kazooie or Banjo Tooie. After this, it cut to Kazooie, who appeared to be asleep on Banjo's bed. She had a dream cloud over her as well, inside it was an image of the Stop-n-Swop eggs. The screen went black for a few seconds, and cut to an image of Banjo, Kazooie, some Jinjos and Bottles standing around a stone, going up to about Banjo's waist-line, in the shape of a Mumbo Token. All of the characters were looking down, and in the background the sky was clearly a dark overcast. The image changed to the characters walking away from the stone; Banjo and Kazooie walking together, two Pink Jinjos walking away together, one Black Jinjo walking away and Bottles walking away alone.

This scene, along with his absence from the rest of the game, seems to imply they were at a funeral for Mumbo. I'm really not sure how he could have died or what, but, he was gone, and there was no imagery relating to him or any mention of him past this point. After this, the game started in Banjo's House. To my surprise, it was a sidescrolling 2-D game. I was expecting it to be similar to Grunty's Revenge at the time, with an overhead view, but it seems they were going for something different with this game. Outside of Banjo's House was Spiral Mountain, which looked oddly apocalyptic. Everything was reddish, the sky was a dark cyan and there was no music. Of course, some of these

 aspects were probably due to the game being early in development. Weird, unfinished looking graphics are to be expected with such things, and a lack of music isn't unusual at all. I kept playing the game, and it mostly had areas from the previous two games, but of course with major design changes due to the game being 2-D. I remember Mumbo's Mountain, which was simply called Mountain, having no enemies, and the termite hill was entirely omitted. The level was really bland, no content to be found in it, which I guess is because the game was in such an early state. After a while of

exploring in Grunty's Lair, I found something that lead to one of the most fascinating aspects of this game. There was a small airplane. Now, I suppose this next section was used for Banjo Pilot, due to it using exact sprites from that game and being highly visually similar. When Banjo jumped into the plane, it instantly teleported him into the middle of some desert. You could fly around freely, and as I said the gameplay was similar to Banjo Pilot. There were many areas you could find; I remember finding a forest that contained the Fungi Forest level, which had enemies from the level from DK:64 and other such things. You could find Jiggies, but they really had no value as you could go to literally any level you found. In the desert, I found a pyramid, which I flew to and it took me to a level where there were giant scarab enemies outside of a pyramid that you would go inside. The pyramid was rather large, containing some platforming areas that lead to Jiggies, and a few mini-bosses like this large mummy's hand and a giant scorpion. The weirdest part of the pyramid was that you could find Tooty in a cage with a giant mummy guarding her. I fought the mummy for a while (the battle was very standard; he just walked back and forth and would damage you if he ran into you) until I beat him, and upon doing so nothing happened. Another thing interesting was that, when

A dark tower in the distance.

 flying around, randomly a timer would appear. I'm really unsure what this timer would do, but I think you either had to reach something or collect a certain amount of notes or honey combs or something within its limit to unlock something. I never successfully completed any of these timed segments, probably due to them being unimplemented, but they were kind of fascinating. When they were activated this fast ticking sound would start playing for their duration, replacing one of the channels of the music.
There was clearly much to see in this game, and a lot that I sadly didn't. I remember seeing many distant objects while flying around, almost entirely making me forget that you could fly back to Grunty's Lair and that there were levels to be seen there, too. When you would fly around, you could find small little areas to enter, which were comparable to the random battles of Zelda 2. You'd have to make it to the end of a section where you either platformed or fought standard enemies, Some of these areas you could enter and leave freely, and they simply had things like temples and pyramids with closed entrances that I really had no idea how to open. I remember one of these areas in  particular having Easter Island heads that brought up dialogue saying things like "Find the tower!"
or "Reach the homeland!"
I got tired of playing when I seemed to have reached the "end of the world" so to speak, meaning you could not go out any farther and at random points the game would crash along this area.

EDIT: Added footage. It's from one of the random platforming sections.

Donkey Kong Private Beta 0.12a

This is a screen shot of the game Donkey Kong, during its original development in 1980. I've had the privilege of getting to play this version of an iconic classic, and I must say, it is quite different. First off, on the title screen you can see that Donkey Kong is not present, and the logo isn't there. Instead, it just says "DK.P.B. 0.12a." This is, it would seem, due to the game being in a very rudimentary state, right? Well, I suppose that's the case, but the levels and gameplay look...quite finished! I'll be getting to that stuff now.

Yes, level one. Definitely an icon in gaming history, the alterations made from the beta to the final are slight! The main differences are game mechanics. Hammers are completely absent from this beta, so I'm assuming they were a later implementation. That white splotch is something that occurs when you die; if you walk over it during the next life (it disappears on the one after, leaving another in the place you died on the LAST life), it will give you 5000 points and a shrill ring will play for about a second. Another more minor thing is that some of the ladders aren't broken in the beta, which honestly doesn't make the game feel all too different to me. The oddest thing about this beta is that you can hear Pauline saying "Help!" occasionally throughout the level, and when you reach the end she says "Thanks!" Both of those sounds are very muffled.

Here we go, level two! This one is a bit odd, and seeing its image reminds me of something I forgot to mention when writing about the first level: Donkey Kong's eyes are a solid red, the same color as his fur. Another thing you will clearly notice is that Pauline looks...fractured. I'm not really sure what the deal is with that. The sound clips of her saying "Help!" from the first level are also absent, so I think maybe Pauline was a bit of an ambitious object to have in the game. Her sprite does have a very high pixel count, and, those sound clips were astonishing at the time. I'm sure these side-effects were remedied with the removal of her sound clips.

Level three is much the same as its final counterpart, as all of the other levels have been up to this point. The main thing you'll notice is that Pauline is completely missing and the ladder she once stood in front of looks oddly damaged. In this level, sometimes a random jingle would play. The jingle was nothing special, it sounded much like any other little jingles you'd hear in the game. An oddity, though, is what Donkey Kong would do. Occasionally, he would jump slightly, and make this muffled gorilla noise. When he did this, Mario would instantaneously die. This made level three completely unbeatable, and, unfortunately, there is no level four. I tried to access it through the machine's menu, and it's just not there. There is a hidden screen you can see though - I think it was originally to be accessed with a code such as Up Up Down Down Up Down Up Up - and it's quite unusual. Here it is :